Music

AC/DC - BACK IN BLACK drive at 6, treble 5, mid 6, bass 8, reverb 3, overdrive on 

BLACK SABBATH - PARANOID DRIVE 7, treble 3, mid 6, bass 6, reverb 4, distortion on 

TONY IOMMI bass 6, treble 6, mid 6, gain 7/8 

BLINK 182 - ALL THE SMALL THINGS drive 5, treble 7, mid 4, bass 8, reverb 1, distortion on 

DEEP PURPLE - SMOKE ON THE WATER drive 7, treble 3, mid 7, bass 9, reverb 3, with overdrive 

DEEP PURPLE - HIGHWAY STAR bass 8, mid 5, treble 7, gain 4 

GUNS AND ROSES - SWEET CHILD O' MINE drive 10, treble 3, mid 5, bass 7, reverb 3, with overdrive 

JIMI HENDRIX - PURPLE HAZE drive 8, treble 7, mid 9, bass 6, reverb 3, with overdrive 

JIMI HENDRIX gain 4, treble 5, mid 5, bass 8, reverb 5 

JOE SATRIANI - SURFING WITH THE ALIEN drive 7, treble 6, mid 3, bass 6, reverb 0, with distortion 

LED ZEPPELIN - WHOLE LOTTA LOVE drive 7, treble 3, mid 6, bass 7, reverb 5, with overdrive 

LED ZEPPELIN - VOX AMP gain 7, treble 8, vol. max, mid 6, bass 4/5 

LED ZEPPELIN - SPIDER AMP amp model, either crunch, bass 8, mid 3, treble 9, drive 10, reverb 3 

JIMMY PAGE gain 4, treble 8, mid 3, bass 7, reverb 2 

METALLICA Gain 9, treble 10, mid 2, bass 7, reverb 3 

METALLICA - ENTER SANDMAN drive 7, treble 8, mid 3, bass 3, reverb 2, set on clean 

METALLICA - BLACK ALBUM Gain 9, bass 8, mid 1, treb 6, reverb 4 

METALLICA - RIDE THE LIGHTNING ALBUM gain 7, bass 6, mid 1, treb. 9 - 10 

NIRVANA - SMELLS LIKE TEEN SPIRIT drive 6, treble 7, mid 4, bass 3, reverb 2, with overdrive 

GRUNGE PEDAL SETTING FOR KURT COBAIN loud 9 o clock low 3 o clock high 12 o clock grunge max 

PANTERA - COWBOYS FROM HELL drive 10, treble 10, mid 0, bass 5, reverb 0, with distortion 

PANTERA ON A LINE 6 SPIDER 2 AMP amp model green insane bass 7 mid 2 treble 8 drive 12 o clock add a bit of flanger reverb 4 add a noise gate 

PINK FLOYD - MONEY drive 5, treble 6, mid 7, bass 7, reverb 4, with distortion 

DAVID GILMOUR strat neck pickup clean tube amp gain 2/3, vol 10, treble 7/8, mid 9/10, bass 5/6, reverb 60/70% fuzz 100% use fuzz pedal, big muff or rat phaser pedal 40% delay pedal 310ms 

RAGE AGAINST THE MACHINE - KILLING IN THE NAME drive 6, treble 8, mid 0, bass 6, reverb 2, with distortion 

RED HOT CHILI PEPPERS - UNDER THE BRIDGE drive 2, treble 6, mid 7, bass 7, reverb 0, with overdrive 

VAN HALEN - AIN'T TALKIN 'BOUT LOVE drive 6, treble 5, mid 3, bass 9, reverb 4, with distortion 

STEVE VAI - THE ANIMAL drive 6, treble 6, mid 5, bass 8, reverb 3, with overdrive 

STEVE VAI AMP SETTINGS Clean #1 - reverb 0, treble 9, mid 5, bass 3, vol. 2 clean #2 - reverb 0, treble 8, mid 4/5, bass 4, vol. 6 

LEAD 31 settings - presence 6, treble 6, mid 8, bass 7/8, drive 9, vol. 4 

LEAD 32 settings - presence 6/7, treble 6/7, mid 6, bass 7/8, drive 8, vol. 6 

LEAD 33 settings - presence 6, treble 6, mid 6, bass 7, drive 8, vol. 6 

LEAD 34 settings - presence 6, treble 6, mid 7, bass 7, drive 7, vol. 8 

TIGHT METAL RHYTHM Mesa Boogie F-30 combo ch 2, with contour Gain 3 o'clock, trebel 3;00, mid 10;00, bass 8;00, reverb off, master 8;00 and up 

THICK METAL CRUNCH gain 7, bass 8, mid 6, treble 7 

HEAVY METAL RHYTHM bridge pickup, drive 9, drive vol 7, bass 8, mid o, treb 8, reverb o 

HEAVY METAL LEAD bridge pickup, drive 10, drive vol 10, bass 5, mid 6, treb 7, reverb 3 

HEAVY METAL SETTING bass 10, mid 2, treble 10, reverb 3, with Boss Metalzone set at level at half, low boost, high at half, distortion max

HEAVY METAL SETTING gain 8, presence 3/4, bass 9, mid 3, treble 7, reverb 1/2 with DOD metal X set at level at 4, low at 8, high 9, distortion 7/8 

HEAVY METAL SETTING everything at max DOD deathmetal set at level at 5, low 5, mid 0, high 6/7 

HEAVY METAL SETTING treble 9, mid 4, bass 10, Boss metal zone set at high just under 1, low max, mid just under 1, mid freg. distortion max, vol. set to arrest level 

HEAVY METAL - Spider 6 amp drive 7, bass 5/6, mid 4, treble 4 

PUNK - GRUNGE gain 90%, treble 70%, bass 80%, mid 30% 

PUNK SETTING low 10, mid 10, high 3/4, with distortion pedal set at tone high, distortion max 

PUNK - MARSHALL MG AMP gain max, treble 9, mid 7, bass 5 

PUNK ROCK gain 7, bass 3, mid 4, treble 7, contour 8, overdrive 7 

BONE GRINDER GRUNGE pregain 2/3, low 8, mid 5, high 8, presence 6/7, master vol 6, output level 80% you can add to this phaser at slow with EQ for bass punch or a chorus with EQ for sharpness 

SULTANS OF SWING SETTINGS presence 4, treble 5, mid 5, bass 5, reverb 2/3, master vol. 10 

YNGWIE’S SETTING vol 10, bass 5/7, mid 2/5, treble 6/8, presence 4/6 

COUNTRY BLUES SOUND bass 6/7, mid 6/7, treble 8/10, reverb 3 

BASIC BLUES TONE neck pickup, drive 4, drive vol 5, bass 5, mid 5, treb 5, reverb 3 

POWER BLUES SETTTING gain 1, reverb 1, treble 7, bass 6, mid 7, 

RHYTHM BLUES SETTINGS gain 6/8, treble 4/6, bass 4/6, mid 4/6, reverb 3, presence 2 

BLUES - ROCK Marshall Hot Rod Deluxe amp neck pickup, plug into socket 2, bass 9-10, mid and treble, half way, drive 3, master vol 7, reverb 1-2 

BLUES SETTING treble 5/7, bass 5/6, mid 0, use with tube screamer 

BLUES TONE - vox amp treble 7, mid 6, bass 3, gain 10 

STONE ROSES gain 7, bass 7, mid 7, treble 3, reverb 5 

ZAKK WYLDE treble 10, mid 3, bass 10, presence 2/3, vol 10, master vol 6/7 

Another ZAKK WYLDE gain 6/8, presence low, mid 4/6, treble 9/10, bass 9/10 

RANDY RHOADS presence 10, bass 1, mid 4/5, treble 2, vol 9, played with MXR distortion pedal 

RANDY RHOADS - OVER THE MOUNTAIN gain 7, bass 7, mid 7, treble 10 

TOM MORELLO gain 7, treble 10, mid 4, bass 4, reverb 0 

ERIC CLAPTON gain 7, treble 5, mid 7, bass 7, presence 8 

ALICE COOPER - SCHOOLS OUT gain 7, bass 6, mid 10, treble 10, reverb 4 

THE POLICE - WALKING ON THE MOON gain 5, bass 7, mid 5, treble 5, reverb 5 

DARKEST HOUR gain 6, bass 7/8, mid 7, treble 5, presence 7 

THE DARKNESS OD on, gain 7, treble 8, mid 8, bass 8, reverb 5, with a tube screamer 

PAUL GILBERT bass 10, mid less then 1, treble 6/8, presence high 

ALICE IN CHAINS gain 6/7, treble 6/7, mid 5/6, bass 5/6, reverb 3 

ALICE IN CHAINS drive 5, treble 5, mid 6, bass 6 

PHISH Chalkdust Torture gain 6, bass 8, mid 7, treble 4, reverb 3 

ALMAN BROTHERS - ONE WAY OUT gain 5, bass 6, mid 6, treble 68, reverb 3 

THE MISFITS gain 9, bass 9/10, mid 6, treble 5, post gain 5 

ZZ TOP bass 10, mid 10, treble 3, presence 5, preamp 5, gain 6 

SYNSTER GATES drive 8, treble 6, mid 5, bass 6 

NEIL YOUNG Rockin In The Free World bass 5, mid 10, treble 10, presence 10, gain 5 

   

DAN DONEGAN gain 8, bass 10, mid 7/8, treble 7/8 

KERRY KING gain 9/10, treble 10, mid 4, bass 6/7, reverb 3 

DEATH TRASH SETTINGS On A Peavey Amp lead channel bass 6, mid 5/7, treble 7, gain 11 

DARK AGGRESSIVE RHYTHM Masa Boogie triple rectifier 150 ch 3, modern, diode rectification, loop bypassed ch master 9 oclock, presence 7;30, bass 10;30, mid 11;30, treble 12;00, gain 2 oclock 

BEATLES - DAY TRIPPER Channel A master vol. 4, gain 4/5, presence 3, bass 10, mid 5, treble 5, mode low 

STEPPENWOLD - BORN TO BE WILD Channel B master vol 2, lead gain 8, reverb 1/2, presence 1/2, bass 8, mid 9, treble 6, mode low 

CLASSIC ROCK For Solid State Amp bass 10, mid 5, treble 7, presence 7, resonance 5, reverb 3, distortion 

CLASSIC ROCK On A Tube Amp gain 8, bass 7, mid 5, treble 5 

CLASSIC ROCK BASIC TONE bridge pickup, drive 6, drive vol 6, bass 5, mid 6, treble 5, reverb 4 

SRV On a Fender Blues Jr Amp reverb 3, master vol 3, treble 10, mid 10, low 4, fat switch on, vol 8 

SRV TEXAS FLOOD drive 6, treble 6, mid 5, bass 8, reverb 3, overdrive on 

PETE TOWNSEND gain 9/10, bass 7, mid 4, treble 10, reverb 2 

SLAYER gain 7, treble 7, mid 2, bass 9 

RAY DAVIES - KINKS Bass 4, mid 6, treble 10, gain 8 

DAVE GROHL - FOO FIGHTERS Bass 3, mid 5, treble 7, gain 8, reverb 3 

JUSTIN HAWKINS - THE DARKNESS Bass 6, mid 8, treble 8, gain 7, reverb 5 

STROKES gain 4, treble 8, mid 4/6, bass 6, bridge w/distortion, or neck clean 

RADIOHEAD - MY IRON LING drive 10, treble 6, mid 7, bass 6, reverb 3 (clean) 

JOE PERRY gain 5/6, treble 2, mid 7, bass 2 

DEF LEPPARD gain 4, bass 4, mid 5, treble 7, reverb 4 

DEF LEPPARD - ROCK OF AGES gain 4, treble 7, bass 5, mid 4, reverb 4

DAVE MUSTAINE GAIN 9/10, bass 8/9, mid 7, treble 8/9, presence 10, master vol 5/6 

PEARL JAM gain 2, treble 6, bass 7, mid 7, reverb 3 

JEFF BECK - BLOW BY BLOW gain 10, bass 6, mid 5, treble 7, reverb4 

BOSTON bass 3, mid 10, treble 5, gain 5 

SATCH gain 7, vol 3, treble 6, mid 10, bass 6, reverb 1 

THE SHADOWS gain 2, treble 6, mid 9, bass 10, reverb 10 

SANTANA clean, gain 7, treble 10, mid 6, bass 5, reverb 2 

SEX PISTOLS On A Vox Ad30vt Amp gain 2/3 o clock vol max treble 4/5 o clock mid 2/3 o clock bass 10 o clock 

STEVE JONES - SEX PISTOLS bass 4, mid 6, treble 9, gain 7 

SLASH gain 6/7, treble 4/5, mid 7, bass 7, presence 8, overdrive on 

SLASH bass 7, mid 7, treble 5, gain 7 

  

GOOD TRASH SOUND drive 10, vol 5, bass 0, treble 10, tone off on guitar, bridge pickup 

CHILDREN OF BODOM treble 9, mid 4, bass 7, gain 8, reverb 4, guitar tone max, bridge pickup 

ADAM JONES - TOOL bass 7, mid 4, treble 6, gain 5/7, reverb 2/4 

MICK MARS - MOTLEY CRUE bass 3, treble 10, gain 3, mid 3 

KEITH RICHARDS bass 6, mid 7, treble 5, gain 5, reverb 2 

MEATY CRUNCH Mesa Boogie F-30 combo ch 2, contour on gain 9-10;00 o'clock, treble 3;00, mid 4;00 o'clock, bass 10;00, reverb off, or 1;00 for blues, master 8;00 and up 

BASIC JAZZ TONE neck pickup, clean, vol 6, bass 5, mid 5, treble 2, reverb 4 

IRON MAIDEN drive 7, treble 9, mid 7, bass 4 

DEFTONES Mesa Boogie amp (half stack) level 12;00 o'clock, high 12;00, mid 12;00, mid freq 9;00 o'clock, low 3;00, distortion 12 - 3;00 o'clock 

CLAUDIO - HAMMERSTEIN BALLROOM gain 6-7, bass 7-8, mid 10, treble 10, contour 5, reverb 2-4, overdrive 2 

HONKY TONK TONE Bass 6-7, treble 8-10, mid 6-7, reverb 3 

SAVAGE BEAST gain 10, imput 10, bass 7, mid 10, high 5-6, presence 5-6, reverb 6-9 

BLACK LABEL SOCIETY preamp 10, bass 10, mid 4-6, treble 4-6, presence 2, master 4-6 

JACK WHITE gain 8, treble 7, mid 5, bass 8, presence 8 

BRAIN MAY gain 8-9, treble 4, mid 9, bass 5-6, reverb 4 

THE EDGE gain 1-2, treble 7, mid 5, bass 3, reverb 8-9 

KIETH RICHARDS gain 4-5, treble 4-5, mid 6-7, bass 5-6, reverb 1-2 Keith uses open G tuning on his guitar 

JOHN FRUSCIANTE gain 4, treble 8, mid 2, bass 6, reverb 7